FURMAN ON FILM

Since the seminal work of 1999, The Blair Witch Project, the found footage genre of horror has admittedly lost some of its luster. It...

*This review spoils one major scene. There is a part of me that found The Assistant to be, if not dull, at least slow and plodding. It...

My best friend hated The Vast of Night. After we had both finished viewing it, a verbal sparring match ensued. I pressed him on what he...

This review may contain spoilers. Here is a sentence that I never expected to utter: Shithouse is the most emotionally raw, gut...

This review may contain spoilers. Not surprisingly, it seems most of the dialogue centered around Possessor at the time of its release...

This review may contain spoilers. The only thing I've learned to trust in a Charlie Kaufman film is the man himself. Buildings are never...

This review may contain spoilers. Aubrey Plaza is a FORCE. OF. NATURE. A human dynamo of passion, vivacity, and snarky self-confidence so...

Three Billboards is NOT a perfect film. It can actually be argued pretty convincingly that it’s riddled with inconsistencies. Many of the...

Much like Lanthimos’ The Lobster the previous year, I cannot even begin to recommend this film to a wide audience. It’s not about...

This was my best picture of 2016. Now, I’m not sure if it says something rather morbid about me that I’ve selected such a “downer” for...

If only... If only...this film utilized the talents of its director (the director of the original, fresh off the solid though...

To my memory, there has never been a less fitting film poster for a work of art. This film is nothing like the hazy, psychedelic fever...